A young woman has a strange premonition one night of her sister being murdered. Her sister soon goes missing. Five years later, she has another vision of an unknown woman being murdered and seeks the help of her brother-in-law to help her save the possible victim.

Facing imminent financial ruin, Pawan, a young man devoted to the revered Dera Baba Laal Badshah, stumbles upon a huge cash fortune. The sudden appearance of this wealth plunges him into a fierce moral crisis, pitting his honesty against his desperation. Simultaneously, the Dera—the very center of his faith—is challenged by the powerful and ruthless land-grabber, Rana Dishaori, who imposes a near-impossible deadline for its surrender. Guided only by the cryptic, powerful spiritual voice of Baapu Laal Badshah Ji, Pawan realizes the illicit money he found is the unexpected key to saving the sacred shrine. He must embark on a perilous, time-sensitive quest to uncover the hidden connection between the wealth and Rana Dishaori's tyranny. LAAL MERE NAAL NAAL is a high-stakes devotional thriller about a common man's ultimate test of faith, as he races against the clock to expose corruption and prove that spiritual integrity triumphs over material greed and power.

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一位电影导演、他的助手和厨师前往一座豪华别墅进行故事讨论。在那里，他们发现了一个被不明身份的“面具人”困住的家庭的录像片段。

The night after the Japanese bombing of Madras, Rajan (Sivaji Ganesan) a radio engineer, is murdered while preparing to leave town with a bag full of cash. A police detective Sivanandan (Jaavar Seetharaman) investigates the case and finds each of his suspects coming up with a different retelling of the events of the night of the murder. A brisk, atmospheric film, brilliant for its time and given that it was made in the constraints of the Madras studio system that experimented with little outside of mythological epics and social dramas.

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A bunch of characters, each with their own set of problems, try to tackle the question of marriage that hangs over their lives.

A family man gets stuck inside a building with a prostitute, whom he had solicited. As time goes by, the probability of him being caught red-handed by his family or neighbours keeps increasing.

A brain-dead youth's family agrees to donate his heart to a girl who needs an immediate heart transplant. A disparate group of people decide to complete this task by racing against time.

Two youngsters meet in a marriage hall and fight with each other and thereafter every-time they meet they end up fighting with each other. But there comes a time when this animosity turns to love.